Photography

NASIM NASR: New York Triennial of Asia

Beshkan (Breakdown),  (video still), 2012 ,  single channel video colour 1.10 loop

Beshkan (Breakdown), (video still), 2012, single channel video colour 1.10 loop

I am delighted to announce that Nasim Nasr has been invited to be one of the participating artists in the New York Triennial of Asia at the Asia Society Museum, New York, in 2020. 

The New York Triennial of Asia will be the first recurring exhibition initiative in the U.S. dedicated to contemporary art from and about Asia and will serve as a platform for intellectual exchange about, and direct engagement with the arts and culture from the region. It will encourage inclusivity and access to this material outside the traditional platform of the Museum and will attract new audiences. The scope of the Triennial reflects the diversity of contemporary art from Asia and the diaspora, and will celebrate and reflect the rich tapestry of Asian cultures that comprise a significant, yet historically underserved, demographic within New York City.

The inaugural edition, entitled “We Do Not Dream Alone”, will be co-curated by Michelle Yun, Senior Curator of Modern and Contemporary Art, and Boon Hui Tan, Vice President for Global Arts & Cultural Programs and Director of Asia Society Museum.

Nasim will be showing two series of works: Beshkan (Breakdown) (2013) and 33 Beads (2018).

This project is a city-wide initiative with venues including Asia Society Museum, Governors Island, Times Square, and Pioneer Works. The exhibition dates will be from June 5 to August 9, 2020.

 

Video stills from Beshkan (Breakdown) (individual hands), 2012 are available for acquisition. Please contact me directly at catherine@catherineasquithart.com for further details.

 

Nasim Nasr, Winner: "People's Choice"

Nasim NASR,  Forty Pages 5,  2016, giclée digital print on 330gsm smooth white cotton rag, 100 x 80cm, edition: 5/8

Nasim NASR, Forty Pages 5, 2016, giclée digital print on 330gsm smooth white cotton rag, 100 x 80cm, edition: 5/8

Sydney-based artist, Nasim Nasr has been awarded the "People's Choice" Award for her extraordinary photographic work, "Forty Pages 5", included in the Finalists' exhibition for the William and Winifred Bowness Photography Prize held at the Monash Gallery of Art.

The work is from Nasim's series, "Forty Pages".  As described in the artist's words: 

Forty Pages contemplates personal or global history in the context of movement from one culture to another in the contemporary world, and refers to forty pages in a passport.
 
Each passport stamp, representing either the departure from or entering a country, is integral to one’s history of the difficulties of freedom of movement and disempowerment by country of birth and its life-boundaries. At every national border one is submissive and defenseless to officialdom. This is a potent control upon individual existence and independence, especially in the contemporary world of displacement and separation between East and West.
 
This gradual accumulation of stamps feels like layers upon my personal history, upon my passport photo, upon my face, its aggregation steadily evolving into an identity I no longer recognize, apart from the eyes—a transformation
 
Forty Pages presents my body as a site or platform for the compilation of these stamps of the last decade of my life, and therefore part of the history of the transience of my being.

Nasim NASR, "Forty Pages" series, 1 to 5 (l to r)

Nasim NASR, "Forty Pages" series, 1 to 5 (l to r)

About the artist
 
Nasim Nasr completed a Bachelor of Arts in Graphic Design at the Art University of Tehran, Iran in 2006, and a Master of Visual Arts (Research), South Australian School of Art, Architecture and Design, University of South Australia, in 2011.
 
Since graduating, Nasim has developed a body of work that has been featured in various exhibitions, festivals and publications in Australia and internationally. Her photographic and video practice has sought to comment upon universal concerns in contemporary society, engaging and articulating notions of State and self-censorship and the transience of cultural and personal identity. Being interested in the concept of cultural relationships and their role in contemporary society, her practice has engaged themes of intercultural dialogue. Through the presentation of multiple channel video works, photography, performance, objects and sound these collective works have attempted to highlight the complexities within contemporary notions of interchangeable identities and cultural difference, as experienced between past and present cultures and homelands, West and East.
 
Currently a Finalist in The Bowness Photography Art Prize, Melbourne Nasim was also a finalist in the prestigious international 2017 Sovereign Asian Art Prize in Hong Kong; earlier this year.  Previously, Nasim was a Finalist in the Blake Art Prize, at Casula Powerhouse in Sydney, (2016), and the Redlands Art Prize, National Art School Gallery, Sydney, (2015).

Installation view, Sixth Sense, National Art School Gallery, Sydney, 2016

Installation view, Sixth Sense, National Art School Gallery, Sydney, 2016

Nasim’s participation in important curated group exhibitions include Under the Sun: Reimagining Max Dupain’s Sunbaker, at the Australian Centre for Photography, Sydney (touring to Monash Art Gallery, Melbourne); and Sixth Sense, National Art School Gallery, National Art School, Sydney.
 
Her work has also been presented at Bazaar Art Jakarta (2017), Art Dubai, (2015 & 2016); and Art Stage Singapore (2013 & 2014)
 
Her work is represented in many collections including the Parliament House Art Collection, Canberra; Artbank, Sydney; and private collections in Australia, Germany, USA, Singapore, Qatar and the UAE.


Catherine Asquith Art is delighted to present this exceptional artwork, “Forty Pages 5” (image above) by Nasim Nasr for sale.  For details regarding the artwork including price please email or phone 0422 753 696.

PARIS PHOTO 2017

Paris Photo, touted as the world's largest international art fair dedicated to the photographic medium, will hold its 21st edition at the historic Grand Palais in Paris from November 9th through 12th, 2017.

The annual event for collectors, professionals, artists, and enthusiasts, Paris Photo offers its visitors a selection of quality and diverse artworks alongside an ambitious public programme of events, talks and forums.

Over 180 galleries and publishers will present a complete panorama of the history of photography: from vintage and modern works to contemporary creations, rare and limited editions, and avant-premiere book releases. The recently launched PRISMES sector, held in the prestigious Salon d'Honneur, will feature a curated presentation of large format, series, and video and/or installation works.

An educative art fair, Paris Photo aims to enhance the visitor experience by scheduling exhibitions, awards, signature sessions, special events, talks and discussions with artists, curators, critics, and historians. The "In Paris during Paris Photo" programme, created in partnership with renowned museums and arts organizations throughout the city of lights, offers visitors a complementary selection of exhibitions featuring some of the most important photographic collections in the world.

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Introducing Hodryc, artist

Absence,  2017, archival pigment print, unique state, 100 x 154cm

Absence, 2017, archival pigment print, unique state, 100 x 154cm

Hodryc (Rodrigo Leite) is a Brazilian artist, based in Melbourne.  For the past decade, he has been developing an aesthetic which utilises a combination of digital-painting, photography and 3D techniques, and manifests as a complex and highly innovative artwork.

Harnessing his knowledge of Impressionism, Hodryc’s artworks (unique archival pigment prints) present as something of a pixelated landscape, which nevertheless still presents as a painting.  For Hodryc, the latter is crucial to the integrity of his art practice: he believes, that although he uses these new technologies as part of the creative process, and as such, they are acting as paint, brush and canvas, most important is that the artist remains true to the essence of the work, that is, there is a danger of digitals artists becoming as ephemeral as technology itself.  It is for this reason that Hodryc has elected to create unique edition prints, contending that they are but ‘digital-paintings’.

Hodryc’s most recent series, “Inner Landscapes” represents the artist’s first impressions of the Australian landscape, and just as this same landscape has often depicted isolation, fear, resilience and freedom, so too Hodry’s series.